![]() Period II starts with a new Theme (Theme II) in the upper parts in Sequence, in the key of the Dominant, a rolling figure being meanwhile assigned to the Bass part. ![]() Theme I almost immediately it is stated, is taken by the second voice in contrary motion (Bar 1, Bass part). Three Themes, contrasted with each other, are used in this Prelude. ![]() Ending with Perfect Cadence in the key of the Tonic, B. Through Sequence, it touches various keys, G sharp minor (Bars 16-17), F sharp major (Bar 19), before ending with a Perfect Cadence in the key of the Tonic, B.īars 23-36: Period III. Pointing to its Dominant, it touches G sharp minor (Bars 26-27), A sharp minor (Bar 28), D sharp minor (Bars 29-30), C sharp minor (Bar 31), before ending on the Dominant with its Pedal, F sharp.īars 36-46: Period IV. Dominant Pedal (Bars 35,36).
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